The Robert Burns Centenary

 

Lord Rosebery (1847-1929)

 

 

(1896)

 

Born in 1847; educated at Oxford; succeeded to the Earldom in 1868; Under-Secretary of State in 1881; first Commissioner of Works in 1884; Foreign Secretary in 1886 and again in 1892; Prime Minister in 1894. 

 


 

  The clue to Burns’ extraordinary hold on mankind is possibly a complicated one. It has, perhaps, many developments. If so, we have no time to consider it to-night; but I personally believe the causes are, like most great causes, simple, tho it might take long to point out all the ways in which they operate. The secret, as it seems to me, lies in two words—inspiration

and sympathy.      3

  There are two great forces which seem sheer inspiration and nothing else—I mean Shakespeare and Burns. This is not the place or the time to speak of the miracle called Shakespeare, but one must say a word of the miracle

called Burns.         4

  Try and reconstruct Burns as he was—a peasant born in a cottage that no sanitary inspector in these days would tolerate for a moment; struggling with desperate effort against pauperism, almost in vain; snatching at scraps of learning in the intervals of toil, as it were, with his teeth; a heavy, silent lad, proud of his plow. All of a sudden, without preface or warning, he breaks out into exquisite song like a nightingale from the brushwood, and continues singing as sweetly, in nightingale pauses, till he dies. The nightingale sings because he can not help it; he can only sing exquisitely, because he knows no other. So it was with Burns. What is this but inspiration? One can no more measure or reason about it than measure or reason about Niagara; and remember, the poetry is only a fragment of Burns.

Amazing as it may seem, all contemporary testimony is unanimous that the man

was far more wonderful than his works.             5

  If his talents were universal, his sympathy was not less so. His tenderness was no mere selfish tenderness for his own family, for he loved all mankind, except the cruel and base—nay, we may go further and say that he placed all creation, especially the suffering and depressed part. of it, under his protection. The oppressor in every shape, even in the comparatively innocent embodiment of the factor and the sportsman, he regarded with direct and personal hostility. But, above all, he saw the charm of the home. He recognized it as the basis of all society. He honored it in its humblest form, for he knew, as few know, how sincerely the family

in the cottage is welded by mutual love and esteem.   6

  His verses, then, go straight to the heart of every home; they appeal to every father and mother; but that is only the beginning, perhaps the foundation, of his sympathy. There is something for everybody in Burns. He has a heart even for vermin; he has pity even for the arch-enemy of mankind.

And his universality makes his poems a treasure-house in which all may find what they want. Every wayfarer in the journey of life may pluck strength and courage from it as he pauses. The sore, the weary, the wounded will all find something to heal and soothe. For this great master is the universal Samaritan. Where the priest and the Levite may have passed by in vain this

eternal heart will still afford resource.     7

  There is an eternal controversy which it appears no didactic oil will ever assuage as to Burns’ private life and morality. Some maintain that these have nothing to do with his poems; some maintain that his life must be read in his works; and again some think that his life damns his poems, while others aver that his poems can not be fully appreciated without his life.

Another school think that his vices have been exaggerated, while their opponents scarcely think such exaggeration possible. It is impossible to avoid taking a side. I walk on the ashes, knowing fire beneath and unable to avoid them, for the topic is inevitable. I must confess myself, then, one of those who think that the life of Burns doubles the interest of his poems, and I doubt whether the failings of his life have been much exaggerated, for contemporary testimony on that point is strong—tho a high and excellent authority, Mr. Wallace, has recently taken the other side with much power and point. But the life of Burns, which I love to read with his poems, does not consist in his vices. They lie outside it. It is a life of work and truth and tenderness, and tho like all lives it has its light and shade,

remember that we know all the worst as well as the best.       8

  His was a soul bathed in crystal. He hurried to avow everything. There was no reticence in him. The only obscure passage in his life is the love-passage with Highland Mary, and as to that he was silent not from shame, but because it was a sealed and sacred episode. “What a flattering idea,” he once wrote, “is a world to come. There shall I with speechless agony or rapture recognize my lost, my ever dear Mary, whose bosom was fraught with truth, honor, constancy and love.” But he had, as the French say, the defects of his qualities. His imagination was a supreme and celestial gift, but his imagination often led him wrong and never more than with woman. The chivalry that made Don Quixote see the heroic in all the common events of life made Burns (as his brother tells us) see a goddess in every girl he approached; hence many love affairs, and some guilty ones, but even these must be judged with reference to time and circumstances. This much is certain: had he been devoid of genius they would not have attracted attention. It is Burns’ pedestal that affords a target. And why, one may ask, is not the same treatment measured out to Burns as to others? The illegitimate children of great captains and statesmen and princes are treated as historical and ornamental incidents. They strut the scene of Shakespeare and ruffle it with the best. It is for the illegitimate children of Burns, tho he and his wife cherished them as if born in wedlock, that the vails of wrath are reserved. There were two brilliant figures both descended from the Stuarts who were alive during Burns’ life. We occupy ourselves endlessly and severely with the offenses of Burns; we heave an elegant sigh

over the hundred lapses of Charles James Fox and Charles Edward Stuart.       9

 ...(deleted something)

 I should like to go a step further and affirm that we have something to be grateful for even in the weaknesses of men like Burns. Mankind is helped in its progress almost as much by the study of imperfection as by the contemplation of perfection. Had we nothing before us in our futile and halting lives but saints and the ideal, we might well fail altogether. We grope blindly along the catacombs of the world, we climb the dark ladder of life, we feel our way to futurity, but we can scarcely see an inch around or before us. We stumble and falter and fall, our hands and knees are bruised and sore, and we look up for light and guidance. Could we see nothing but distant, unapproachable impeccability we might well sink prostrate in the hopelessness of emulation, and the weariness of despair. Is it not then, when all seems blank and lightless, when strength and courage flag, and when perfection seems remote as a star, is it not then that imperfection helps us? When we see that the greatest and choicest images of God have had their weaknesses like ours, their temptations, their hour of darkness, their bloody sweat, are we not encouraged by their lapses and catastrophes to find energy for one more effort, one more struggle? Where they failed, we feel it a less dishonor to fail; their errors and sorrows make, as it were, an

easier ascent from infinite imperfection to infinite perfection.            12

  Man, after all, is not ripened by virtue alone. Were it so, this world were a paradise of angels. No. Like the growth of the earth, he is the fruit of all seasons, the accident of a thousand accidents, a living mystery moving through the seen to the unseen; he is sown in dishonor; he is matured under all the varieties of heat and cold, in mists and wrath, in snow and vapors, in the melancholy of autumn, in the torpor of winter as well as in the rapture and fragrance of summer, or the balmy affluence of spring, its breath, its sunshine; at the end he is reaped, the product not of one climate but of all, not of good alone but of sorrow, perhaps mellowed and ripened, perhaps stricken and withered and sour. How, then, shall we judge anyone? How, at any rate, shall we judge a giant, great in gifts and great in temptation; great in strength, and great in weakness? Let us glory in his strength and be comforted in his weakness; and when we thank heaven for the inestimable gift of Burns, we do not need to remember wherein he was

imperfect: we can not bring ourselves to regret that he was made of the same

clay as ourselves.             13

 

 

Note 1. From an address in the St. Andrew’s Hall, Glasgow, on July 21, 1896, on the occasion of the Burns Centenary celebration.

 

 

from "The World's Great Orations" ed. by William Jennings Bryan, 1906, published in full by bartelsby.com

 

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